RR haiku 115

thank you spoon

you make it so easy

to eat soup

 

RR haiku 114

in my chair

wondering if i’m

sitting too much

 

RR haiku 113

cold out there

warm in here

hard to leave

 

Much Better Than This as Times Square’s Midnight Moment

rafael rozendaal times square  Photograph by Ka-Man Tse for TSqArts

Much Better Than This .com is this month’s Midnight Moment on Times Square.

Each night in February, from 11:57 to midnight, the work will play simultaneously on 47 screens.

Big thanks to: Times Square Advertising Coalition (TSAC), Times Square Arts and Dutch Culture USA.

Photography by Ka-Man Tse for @TSqArts

rafael rozendaal times square  Photograph by Ka-Man Tse for TSqArts

rafael rozendaal times square  Photograph by Ka-Man Tse for TSqArts

rafael rozendaal times square  Photograph by Ka-Man Tse for TSqArts

rafael rozendaal times square  Photograph by Ka-Man Tse for TSqArts

 

“On And On” exhibition at Kostyál Stockholm

artist  Rafaël Rozendaal

artist  Rafaël Rozendaal

artist  Rafaël Rozendaal

artist  Rafaël Rozendaal

artist  Rafaël Rozendaal

artist  Rafaël Rozendaal

artist  Rafaël Rozendaal

artist  Rafaël Rozendaal

artist  Rafaël Rozendaal

artist  Rafaël Rozendaal

artist  Rafaël Rozendaal

 

RR haiku 112

trying to remember

something

i forgot

 

RR haiku 111

never working

never

not working

 

RR haiku 110

what i should do

what i can do

what i will do

 

RR haiku 109

so much to say

not sure

how to say it

 

RR haiku 108

too much

too many

too think

 

RR haiku 107

a red stain

on my brand new

white suit

 

RR haiku 106

nothing

never

nowhere

 

RR haiku 105

imagine

loving

everything

 

RR haiku 104

whatever i do

there is always more

to be done

 

RR haiku 103

morning cold

just before

the sun rises

 

RR haiku 102

what

where

right there

 

Human Being Journal

photo by clement pascal

This is an archive of an article in Human Being Journal #5.
Text by Tag Christof, Photography by Clement Pascal.

In the early 1980s, Sherrie Levine gained notoriety for her groundbreaking exhibition After Walker Evans. She had photographed a number of the FSA master’s Great Depression-era photographs (notably all taken before she was born in 1947) and then hung and presented them, in all seriousness, as her original work. She had shot and developed the actual photos on display, so in a strictly ontological sense, the work was hers. But unlike earlier appropriation work, Levine made no attempt to disguise or alter the source. Instead, she made a game of subverting originality by calling it out in the exhibition’s title. The art world bristled. Was it still life? Was it original? Was it just shameless, lazy theft? And what did any of this mean for the value of a photograph as a piece of art?

Fast forward a few decades and art history has sided squarely with Levine. But the work of a new generation of digital artists is begging a similar set of questions around reproducibility, value and ownership. Rafae?l Rozendaal is among their foremost pioneers, having worked on the web prolifically since around the turn of the millennium. He trained as a conventional artist, but since 2001 has been buying up clever domain names on which to set up interactive artworks. The sites are singular — each contains one engaging scenario rendered in bright and proudly RGB palettes, and invites the user into a bit of unexpected usability. Among them are whitetrash.nl, pleasetouchme. com, hotdoom.com, beefchickenpork.com and several others.

(More…)

 

RR haiku 101

not here

not there

somewhere

 

RR haiku 100

i should be

at a beach

right now

 

RR haiku 099

amazing

incredible

see you later

 

RR haiku 098

thank you socks

for making sure my feet

don’t touch my shoes

 

RR haiku 097

almost nothing

hardly anything

barely something

 

RR haiku 096

i am sorry

won’t happen again

my apologies

 

RR haiku 095

complex

computational

compositions

 

RR haiku 094

not knowing why

is the best

reason why

 

RR haiku 093

felt sad

ate steak

feel good

 

The irony of efficiency

kauai beach

Someone finds a trick to simplify a task. This person finishes the task faster and has more time to relax.

Once everyone starts using the same trick, there is no time to relax any more. You have to use the trick. What used to be normal is now slow.

 

RR haiku 092

what better way

to spend your time

than surfing the web

 

RR haiku 091

a tiny mosquito

walking across

a big pond

 

RR haiku 090

no idea

nothing

at all

 

Texts from Spheres book (Random Thoughts)

This is a selection of texts from my Spheres book, in collaboration with Philippe Karrer.

When we stare at the ocean, we can’t see that far because of the curvature of the earth. Clouds are not that far away either. Stars can be very far away, but a lot of stars don’t even exist any more by the time their light hits our eyes. The further something is, the longer it takes before you see it.

People always emphasize it’s good to grow and innovate, but it’s also good to repeat and refine.

In the future, people will not carry around devices to access the internet. Instead, with a pocket knife, they will cut a rectangle out of thin air, right in front of them, and there the internet will be. Unfortunately, many people will leave pieces of sky on the floor which might be dangerous. (More…)

 

RR haiku 089

not here

not there

not anywhere

 

A life without objects

RR iceland

I cannot explain why, but one of my favorite activities in the world is throwing stuff away. After graduating, I started moving to different countries, so I had to. I could only take so much with me. Possessions restrict movement. I don’t need much.

I love the idea of empty spaces. I love visualizing an empty home with big windows in an empty landscape. I imagine windows opened on either side of the house, the wind blowing from miles away entering the house and leaving quickly, hardly obstructed.

Emptiness is very elegant. It is luxurious.

The reality is that I am never in an empty house in an empty landscape. I am always in very crowded places. I live in Chinatown New York which is dense with tourists and garbage. I travel in crowded airplanes and eat while my elbows touch the passenger next to me. I sleep in hotels packed with people and their luggage. I swim at crowded beaches and walk through crowded museums and sit in crowded subways.

Emptiness seems beautiful yet I hardly ever go there. I hardly make an effort. I could take a bus to the countryside and sit in an empty field for a few hours. I could but I don’t.

I like the idea of emptiness more than the reality of it.

 

Why I love making websites

it’s fun
it’s new
it’s light
it’s open
it’s cheap
it’s free
it’s everything
it’s always
it’s everywhere

no history
no stress
no boss
no budget
no deadlines
no hassle

blank window

 

RR haiku 088

all i want to do

is not do

what i have to do