Auction of digital art at Phillips NYC

paddles on phillips tumblr rhizome

Phillips has partnered with Tumblr and curator Lindsay Howard to present Paddles ON!, a groundbreaking auction and exhibition that brings together artists who are using digital technologies to establish the next generation of contemporary art.

The Wall Street Journal wrote a feature about the event.

Auction
10 October 2013

Exhibition
5 – 12 October 2013
450 Park Avenue, New York

Online Auction
Powered by Paddle8
1 – 5 October 2013

Preview + register to bid now

Selected artists: Silvia Bianchi + Ricardo Juárez, Petra Cortright, Alexandra Gorczynski, Joe Hamilton, Ilja Karilampi, Brenna Murphy, Aude Pariset, Sabrina Ratté, Casey Reas, Rafaël Rozendaal, Nicolas Sassoon, Molly Soda, Kate Steciw, Mark Tribe, Clement Valla, Addie Wagenknecht, and Jamie Zigelbaum

 

Book Launch Amsterdam

spheres rafael rozendaal

People of Amsterdam!

Tomorrow we are launching my book Spheres at San Serriffe Bookshop. There will be music, posters, the book, and lots of fun people. Hope to see you there!

Saturday, September 14, 6 – 9 PM
San Serriffe Bookshop
Sint Annenstraat 30, Amsterdam

 

BYOB Mobile @ Printed Matter

BYOB Mobile printed matter

 

The history of the hamburger

hamburger

Wikipedia has an very detailed article about the history of the hamburger.

During the life of their leader Genghis Khan (1167–1227), the Mongol army occupied the western portions of the modern-day nations of Russia, Ukraine, and Kazakhstan, forming the so-called Golden Horde. This cavalry dominated army was fast moving and sometimes unable to stop for a meal, so they were often forced to eat while riding. They would place a few pieces of meat in the form of fillets under their saddles so that it would crumble with the constant jogging and be cooked by the heat from the animal.

 

Spheres posters now available

Spheres is a book/catalog/publication I made together with Philippe Karrer. It’s 100 pages of sketches, thoughts, texts, conversations, comments… lots to read and see. I’m excited that it’s selling fast which means we get to create more projects.

Philippe decided to save a few printing sheets, before it was folded into a book. That’s what these posters are. There are six different posters and only 11 copies of each poster exist.

1 signed poster + 1 signed magazine costs 66 Euros. ➫ Buy it here!

spheres poster rafael rozendaal

spheres poster rafael rozendaal

spheres poster rafael rozendaal

spheres poster rafael rozendaal

spheres poster rafael rozendaal

spheres poster rafael rozendaal

 

I made a shirt together with menswear brand Sidian, Ersatz & Vanes

rafael rozendaal sidian ersatz vanes

I’m excited to let you know about a shirt I made together with menswear brand Sidian, Ersatz & Vanes.

The shirt is for sale ☞ HERE ☜.

(Photo by Christina Latina)

rafael rozendaal sidian ersatz vanes

 

My work on the cover of PIG Quarterly (Italy)

pig quarterly

Please check out PIG Quarterly, a magazine from Italy.
They featured my work on the cover of the new issue.

 

I’m in a group exhibition in Japan: “Being in the Wired World”

looking at something

sekaibn

I’m excited to announce I’m participating in this great group show at Kawasaki City Museum:

Being-in-the-Wired-World
July 20-September 29, 2013

Kawasaki City Museum
1-2 Todoroki, Nakahara-ku,
Kawasaki, Japan 211-0052

I’m also participating in a panel talk:
Rafael Rozendaal and Internet Reality Study Group
July 20 (sat) 14:30 – at 3F Sub Theater
To apply, please send your name and phone number to artk(at)kawasaki-museum.jp under the subject line: “New Generation of Artists Talk Event -1 Application.” Applications will be processed on a first-come, first-served basis. Exhibition ticket (or ticket stub) required.

See you there!

 

I’m doing a talk at VACANT in Tokyo, Wednesday, July 17

2013 if no yes

If you are in Tokyo…

Wednesday, July 17, at 7 pm,
I will present a new website and do a talk at VACANT.
The event is organized by Takuro Someya Contemporary Art.

Info here (in Japanese)

 

Sketching

The last 12 months I have been posting my sketch process to my Instagram.

I’ve always wondered how computer sketches are perceived. Usually, an unfinished digital work does not look like a sketch, it just looks like a not-so-good-work. Pencil sketches are clear: they are in process, the artist is still searching.

Rafael Rozendaal instagram sketches

 

My projections on Kenmare & Bowery curated by Mark brown

vai avanti on kenmare & bowery

stagnation means decline on kenmare & bowery

Last night we projected vai avanti .com & stagnation means decline .com
on the corner of Kenmare & Bowery in New York.

Thanks to Mark Brown for making it happen!

 

Philippe Gerlach photographed me for Modern Matter magazine

rafael rozendaal philippe gerlach

rafael rozendaal philippe gerlach

Modern Matter is a magazine focusing on art & fashion.

In this issue a number of artists (Maurizio Cattelan, Bjarne Melgaard, me, …) are interviewed,
talking about what it is like to live and work in New York.

Photos by Phillipe Gerlach.

 

Dutch art magazine “Metropolis M” writes about the art world’s slow acceptance of digital culture.

metropolis m magazine

Renowned Dutch art magazine Metropolis M recently published an article about “Digital Discrimination”. Technological art and museums/galleries seem quite separated.

I’m curious how the times will develop. I think we can all agree that computers are changing the world, but how that will change art still remains to be seen.

Classic subjects in new formats or new subjects in classic formats?

Probably both.

 

Into Time 13 01 31

hampus lindwall

 

47 million visits in the last 12 months

large audience

I am happy to let you know that I had

47,166,931 visits in the last 12 months across all of my websites.

more than 47 million!

My working method has always been simple:

– Make whatever I want.
– Get as many people as possible to see it.
– Make as much money as possible.

Step 1 & 2 are going well. I love the web. No interference from anyone, I can make whatever I want to make and share it with you. I don’t take this freedom lightly. Any other system seems like there is always some friction. I never have to explain to anyone why I want to make something, what it means, if it will sell…

Now to find out how to make 1 cent from each visit…
Working on it…

Thank you for visiting!

 

I’m in an exhibition called #FutureMyth at 319 Scholes in Brooklyn opening this Thursday

future novel

Opening this Thursday!
The exhibition #FutureMyth, curated by Christina Latina & Daniel Leyva.
319 Scholes
Apr 18 2013 – May 05 2013
Opening Hours: 7:00PM – 10:00PM

I will show a new work called “Future Novel”, it’s a sci-fi book in a new language.
Thank you to Frieda-Raye Green & Manuel Vargas for helping out.

From the press release:
“The interior of man has been essentially the same for 40,000 years, since the first emergence of Homo Sapiens. Myth has to do with the spiritual potentialities of this constant, this human being. But the images of myth must be derived from the environment of today and in this place. There is therefore a constant transformation of the image, but not of the reference.” —Joseph Campbell

List of artists in the exhibition:
Kari Altmann, Matthew Arkell, Iain Ball, Enrico Boccioletti, Manuel Bürger, Sterling Crispin, Claire L. Evans, Ryan Whittier Hale, Erin Henry, Emily Jones, Taylor Kuffner, Paul Laffoley, Kareem Lotfy, Jonas Lund + Sebastian Schmieg, Einar Öberg, Rafaël Rozendaal, Jasper Spicero, Tanner Family, and Clement Valla + Erik Berglin.

 

April 22: Group exhibition in London at Carrol/Fletcher gallery

I’m in this group show, check it out if you’re in London!

Brand Innovations for Ubiquitous Authorship: A group exhibition stolen by Eva and Franco Mattes.
Opening reception: 6-8pm Monday 22 April, 6:30 – 9pm
Carroll / Fletcher
56 – 57 Eastcastle Street
London W1W 8EQ

For this exhibition each artist was asked to produce an object using a custom printing or fabrication service. These services, such as CafePress and Zazzle, exist to provide users a cost-effective way of producing fully customized products, from t-shirts to iPhone cases, and a host of other objects– custom 3D printing from companies like Shapeways, full printed books from companies like Lulu, &c.

Participating artists:
Annabelle Arlie, Andreas Banderas, Aram Bartholl, Body by Body, Chris Coy, Christofer Degrér, Nick DeMarco, Constant Dullaart, Andreas Ervik, Matt Goerzen, Aaron Graham, Toby Huddlestone, Parker Ito, Justin Kemp, Brian Khek, Martin Kohout, Bryan Krueger, Lindsay Lawson, Jaakko Pallasvuo, Jon Rafman, Sean Raspet, Rafaël Rozendaal, Borna Sammak, Oliver Sutherland, Daniel Temkin, Brad Troemel, Artie Vierkant, Andrew Norman Wilson.

 

124 BYOB’s so far

BYOB april 2013 map

BYOB is a series of one-night-exhibitions.

The idea is simple:
– Find a space
– Invite many artists
– Ask them to bring a projector

I organized the first edition in 2010 together with Anne de Vries in Berlin.

Much to my surprise a large amount of people around the world organized BYOB events themselves. As far as I know, 124 BYOB’s happened in the last 3 years. There might be a few more but these are the ones I have a record of.

Check the BYOB Google map or the full archive on the BYOB website.

I’m happy to see an alternative to traditional ways of exhibiting art.

Thank you to everyone for all your energy!

 

switching circles .gif

switching circles .gif

 

rotating gradient circles .gif

rotating gradient circles

 

layers slide .gif

layers slide .gif

 

New Lenticular

into time lenticular 01

This is an image of my new lenticular painting,
“Into Time 13 01 31”.
36 x 48 inches (90 x 120 cm.)

 

rotating gradient .gif

rotating gradient .gif

 

double shape.gif

double shape .gif

 

gradient slashes .gif

gradient slashes

 

gradient balls 01 .gif

gradient balls 01

 

Secret publication in progress

secret publication

 

Lenticular Test Print .gif

lenticular print test RR

 

Gif melter by Chris Shier

Gif Melter by Chris Shier is a weird tool that turns an animated gif into a psychedelic interactive webpage.

Below are some of my “melted” gifs. Click on the images to get the full interactive experience.

(via Today&Tomorrow)

gif melter

gif melter

gif melter

 

“Decenter” exhibition opening this week in New York

from the dark past rafael rozendaal

I’m participating in Decenter,
an Exhibition on the Centenary of the 1913 Armory Show,
curated by Andrianna Campbell and Daniel S. Palmer.

Think of the show as cubism through the eyes of contemporary artists:
Cory Arcangel, Tony Cokes, Douglas Coupland, David Kennedy Cutler, N. Dash, Michael Delucia, Jessica Eaton, Franklin Evans, Amy Feldman, Andrea Geyer, David Gilbert, Ethan Greenbaum, Gregor Hildebrandt, Butt Johnson, John Houck, Barbara Kasten, Andrew Kuo, Liz Magic Laser, Douglas Melini, Ulrike Mohr, Brenna Murphy, John Newman, Gabriel Orozco, Rafaël Rozendaal, Seher Shah, Travess Smalley, Sara VanDerBeek

Opening:
6-8 PM Sunday, February 17, 2013
Abrons Arts Center
466 Grand Street, New York, NY
DecenterArmory.com

 

Formal characteristics of the browser

Composition: the arrangement of elements in time and space.

The browser is very different from other media, especially when it comes to composition. I believe we are at the very beginning of the aesthetic potential of the networked image.

This is an (incomplete) list of compositional characteristics of the browser.

The internet presents artists with challenges, opportunities, and best of all, a lack of history.

The size of a browser can change at any moment. There is no fixed dimension or ratio. Think of an image, that can shrink or expand at any time. Ideally the artwork anticipates every possible dimension. Colors are rendered differently depending on hardware, software and usage. Websites are ubique yet inconsistent in appearance.

There are many kinds of devices. Some have big pixels, some have small pixels. A 1 pixel line on a smartphone is different from a 1 pixel line on an old CRT monitor. The physical experience of each device is unique.

The user is present in the pictorial space. There might be a cursor or finger that can influence the composition. Interaction is not unique to the browser but it is something that is natural to internet users.

Many people at the same time can influence an image. There is a potential for social images that change over time by allowing users to modify an image, like a wikipedia article.

Computers are good at generating random numbers. I’m not sure if those numbers are truly random, but it’s good enough. Each time the artwork is viewed, it can be slightly or dramatically different.

The networked image can keep pulling information from the web. The elements of composition can change all the time, because the web’s content changes all the time.

In the early days of the internet, bandwidth was very limited. This digital frugality created a new visual language.

Browsers do not have the same rendering power as native applications. This is a limitation and an opportunity at the same time. Challenges like these force artists to come up with new solutions.

 

Norio & Haruna’s Japanese wedding with my kissing animation

I recently received an email, asking if my website much better than this .com could be projected at a wedding. I’m happy to see my work being enjoyed all over the world, especially in Japan, AKA the coolest place in the world!

I hope Noria & Haruna had a nice wedding, and lots of love in the rest of your life!

japanese wedding kiss

japanese wedding kiss

japanese wedding kiss

 

This week on my Instagram

You can find me on Instagram: @newrafael

 

New Google image search interface

google image search dali

Google image search just got a whole lot better. The new interface is very effective. Just search for images, and select an image. It shows a large preview in the same window. And you can browse through the results with your cursor key.

(this new layout is rolling out now, you might have to wait a few days before it appears in your region)

We still have a long way to go in interface design. I think one big challenges is how to make large amounts of content digestible. Coffee table books are still much better if you want to sit down and look at a large amount of images. But I think it won’t take long before the web becomes better at artists monographs than printed books.

 

Cultural categories

categories

I’ve had many discussions with different people about cultural disciplines or categories.

How Art has a longterm value over Pop Culture, how Books are often better than Movies, how Architecture is following Technology, how Fashion always takes from Music, on and on and on.

All these categories are restricting and mostly useless.

It does not matter if something is Literature or Advertising or Entertainment or Academia,

what matters is if something is interesting.